Bahtsetzis, Sotirios, "The Time That Remains: How to Repeat the Avant-Garde" in: E-flux Journal, Vol. 30 (12/2011).
Bahtsetzis, Sotirios, "The Time That Remains: On Contemporary Nihilism" in: E-flux Journal, Vol. 28, (10/2011).
Bahtsetzis, Sotirios, "Image Wars: The Athens Riots as Dispositif and Event" in: Afterimage The Journal of Media Arts and Cultural Criticism, Vol. 38, No 1 (2010), pp. 19-24.
Bahtsetzis Sotirios, Death and Image. A psychoanalytic approach based on the work of Francis Bacon [Θάνατος και εικόνα. Μια ψυχαναλυτική προσέγγιση με αφορμή το έργο του Φράνσις Μπέικον], Entefktirio, 86 (July-September) 2009, pp. 75-80
Bahtsetzis, Sotirios, "Castles from Glass: The critique of modernist architecture of the mid-wars period in the work of Kurt Schwitters" (Γυάλινα Κάστρα: Η κριτική της πρωτοποριακής αρχιτεκτονικής του μεσοπολέμου στο έργο του Kurt Schwitters), Conference "Architect Hans Poelzig and German Expressionism" Center for Mediterranean Architecture, 14.3.2009
Bahtsetzis, Sotirios, Young Greek Artists. Mapping the Field [Νέοι Έλληνες Καλλιτεχνες. Μια χαρτογράφηση του πεδίου] in: Kaput Art Magazine (2008)
Bahtsetzis, Sotirios, Testing the Public. New Public Art in Greece, in: Tan, Pelin, Boynik, Sezgin (eds.), Kamusal alan-Guncel sanat, texts by: Ali Akay, Sotirios Bahtsetzis, Claire Bishop, Sezgin Boynik, Rosalyn Deutsche, Mika Hannula, Hou Hanru, Erden Kosova, Sven Lütticken, Jacques Ranciere, Gerald Raunig, Simon Sheikh, Pelin Tan, Sven-Olov Wallenstein, Istanbul, Santralistanbul, 2008, ISBN 978-605-399-018-5Bahtsetzis, Sotirios, "The Art Production of Women Graduates at ASFA and the Woman-Art Theme" (Η εικαστική παραγωγή γυναικών αποφοίτων της ΑΣΚΤ σε σχέση με ζητήματα της προβληματικής "γυναίκα-τέχνη), Symposium "Women Graduates at Athens School of Fine Arts 1980-2004", Athens School of Fine Arts, 9.11.2007
Bahtsetzis, Sotirios, "On the Cinematic Conditions of Installation Art. Notes on hermeneutics of the Visual", (Οι κινηματογραφικές συνθήκες της εγκατάστασης τέχνης. Σχόλια για μια ερμηνευτική της θέασης), Aristotle University of Thessaloniki, 3rd Greek Art History Conference, 2-4.11.2007
Bahtsetzis, Sotirios, "From modern Art Exhibition to Contemporary Installation: The Identity of the Artist in Transition" (Από την έκθεση μοντέρνας τέχνης στη σύγχρονη εγκατάσταση: η καλλιτεχνική ιδιότητα σε μετάβαση) Athens School of Fine Arts, 2rd Greek Art History Conference, 25-27.11.2005 2. Art History Conference in Greece
Bahtsetzis, Sotirios, "Given: between Scopizing Desire and Feminizing the Image Space"( Étant donnés“: zwischen der Skopisierung des Begehrens und der Feminisierung des Bildraumes)In: Tout-Fait: Marcel Duchamp Studies Online Journal (2005)
Bahtsetzis, Sotirios, The Real of the unrealized, in: Karamba, Elpida (ed.), Curating: Views on curating, 9+1 unrealized projects, (Το Πραγματικό του απραγματοποίητου, στο: Καραμπά, Ελπίδα (επ.), Curating»: Απόψεις για την επιμελητική δράση, 9+1 α-πραγματοποίητα πρότζεκτ) (GAP Files #1), Athens: Futura 2005, pp. 93-106
Bahtsetzis, Sotirios, Relational Desire: the ‘Real’ Symptom. A Lacanian Treatment on Spectatorship, In: FeedBack 0-1. Ideas that inform, construct and concern the production of exhibitions and events, (in association with Whitechapel Art Gallery and Goldsmiths University of London) March 2003 – March 2004, ISSN 1744-344X, pp. 40-43.
Bahtsetzis, Sotirios, On blind men, lighthouses and women of truth. Marcel Duchamp`s Given, a study on perception and representation in the beginning of postmodernism (Von Blinden, Leuchttürmen und Wahrheitsfrauen. Marcel Duchamps Étant Donnés. Über Wahrnehmung und Repräsentation am Beginn der Postmoderne), in: Essays in Kulturanthropologischen Studien, menschen formen (ed.), Marburg: Tectum, 2002.
Books
Exercising idiorrythmy: on the occasion of Vangelis Vlahos and Zafos Xagoraris’ participation in the 27th Sao Paulo Biennial, The Reading Group, Hellenic Ministry of Culture, Athens: Futura, 2007
Articles in exhibition catalogues
Bahtsetzis, Sotirios (ed.), Paint-id. Contemporary Painting in Greece, exh. organized by the Macedonian Museum of Contemporary Art, Thessaloniki, Athens: Futura, 2009
Bahtsetzis, Sotirios (ed.), Women Only, exh. organized by Margaris Foundation and Beltsios Collection, Amphilochia, Athens: Futura, 2008
Bahtsetzis, Sotirios, Drawing Screen, exh. organized by TinT gallery and Thessaloniki Cinema Museum, Athens: Futura, 2006;
Bahtsetzis, Sotirios, Elpida Karmpa, Anne-Laure Oberson, Thesis, in: Action Field Kodra 06 - 6th visual arts festival, exh. organized by Cultural Municipality of Kalamaria, Kalamaria Thessaloniki, 2006;
Bahtsetzis, Sotirios (ed.), An Outing. Beltios Collection. Contemporary Art in Greece in the 21st Century, Matsopoulos Centre, exh. 27.5-30.7.2006 organized by the Beltios Collection and the Municipality of Trikala, Athens Futura, 2006;
Bahtsetzis, Sotirios, Familistère – Container – Subject Machines (Familistère – Container – Subjektivationsmaschine), In: Familistère 1, Exh. Cat. KW Institute for Contemporary Art Berlin, 12 Oct – 10 Nov. 2002, Berlin, ISBN 3-00-010316-3, pp. 4-7;
Bahtsetzis, Sotirios, Intake - A Comentary / A Report, in: Theodoros Zafeiropoulos: Intake exh. cat. Hellenic American Union, Athens 2011, p. 14 -19 and 21 - 87
Bahtsetzis, Sotirios, Poets Machine - Commentary in the Name of a Machine, Making Words, exh. cat., Venice Biennial 2009 pp. 49-51
Bahtsetzis Sotirios, Riolo, Stephen, Urban Art: Creating Public in the Time of Consensus, in: Clauß, Ingo (ed.), Urban Art. Works from the Reinking Collection, exh. cat. Weserburg Museum für Moderne Kunst, Ostfildern: Hatje Cantz, 2009, p. 174-185.
Bahtsetzis, Sotirios, An Archeology of Memory, in: Clement Page Works 2004-2009, Berlin: Kuckei+Kuckei, 2009, p. 69-76.
Bahtsetzis, Sotirios, Gender Abuse - or, what it is to be queer (with texts by Bruce LaBruce, Tim Stüttgen, Susanne M. Winterling, and Jorgen Callesen), in: Boot Print Volume 2, Issue 2, pp. 23-25 (2009)
Bahtsetzis, Sotirios, The fragmentary experience of supermodernity, in: George Drivas (un-) documented, exh. cat. National Museum of Contemporary Art, Athens, Athens, 2009, pp. 35-39.
Bahtsetzis, Sotirios, Re-Inventing the Dispositif, in: Nikitovic, Anna (ed.), Stefanos Tsivopoulos. The Real The Story The Storyteller, exh. cat. Salon of the Museum of Contemporary Art Belgrade, Belgrade: Publikum, 2008, pp. 103-110.
Bahtsetzis, Sotirios, Interventionist and Public-responsive Art in Greece, RES, No 2, pp. 84-93 (2008)
Georgia Kotretsos in interview with Dana Turkovic, Jan Vam Woensel, Elpida Karaba, Cecilia Canziani, Sotirios Bahtsetzis and Abdellah Karroum , in: Kotretsos, Georgia, "Every Unemployed Curators Is Not an Independent Curator" (2007), in: Boot Print Volume 1, Issue 2, pp. 15-20 (2007)Bahtsetzis,Sotirios, Longing for Images - A Political Act, in: Dimitris Tzamouranis Painting, ed. by Kunstverein Buchholz, Nordheide, Verlag für moderne Kunst,Nürnberg, 2006, ISBN 9783938821947, pp.86-92;
Bahtsetzis, Sotirios, The Archaeology of democratic antagonism, in: Archeology of Today? exh. cat. The Kosova Art Gallery, 22.05-05.06.2006, Prishtina 2006, pp.14-20;
Bahtsetzis, Sotirios, Avant-Gardes, A-topias and Visions (Avantgarden, A-topien und Visionen), In: ‘far near centre’. 12 Positions in Contemporary Greek Art, Exh. Cat. European Patent Office, Munich, 23 June – 3 Sept. 2004, Munich 2004, ISBN 3-89605-066-4, pp. 16-33.
Bahtsetzis, Sotirios, The World as Photo-Synthesis (Die Welt als Foto-Synthese), in: Goldrausch 11, Catrin Otto, Einschnitte, ed. Anne Marie Freybourg & Annette Thomas (Goldrausch Women Artists Project), Exh. Cat., Nürnberg, Düsseldorf, Lüneburg, Berlin, Berlin 2000, ISBN 3-933700-69-8, pp. 10-18;
Research CoordinationEditor (as member of the Reading Group) GAP Greek Art Projects, Nr. 3, July-August (2005)
Research Coordinator at: Oliveira, Nicolas de, Oxley, Nicola, Petry, Michael, Installation Art in the New Millennium. The Empire of the Senses, Foreword by Jonathan Crary, London: Thames and Hudson, 2003, ISBN 0-500-23808-1, 317 illustrations, p. 208.
Public lectures
"Images Make Sense" Lecture and Workshop at the Maraya Art Centre, during the project Roaming Images in Sharjah, UAE, 12.6.2011 (with the participation of Giuseppe Moscatello, George Katodrytis, Ebtisam Abdulaziz, artists from UAE and students from the American University in Sharjah)
"Universalism as Revolution" Lecture at Fachhochschule Nordwest Schweiz - Institut Kunst during the "Guest Corner" series in Basel, 4.11.2010
"Symptomatic Spectators" Lecture at Freud's Dreams Museum in St. Petersburg, 6.6.2010
"Cinematism against Visual Regimes: Undoing Gender in Contemporary Art in Greece" Lecture at the Columbia University in New York, organized by the Modern Greek Seminar at the University Seminars Program, The Program in Hellenic Studies & The School of the Arts (16.12.2009)
"Image Wars: Athen’s riots between event and multitude" Lecture at the Dictionary of War - Edition Moscow organized by Oleg Nikiforov and Xenia Golubovich - Project Letterra, Logos Publishing House, Off University at the National Centre for Contemporary Art in Moscow (30.8-1.9.2009) in collaboration with Merve Publishing House
"On the Post-Cinematic Conditions of Contemporary Art: Dispositifs of Politics" Lecture at Freud's Dreams Museum in St. Petersburg (4.9.2009)
"Einblicke und Diskussion zu den Hintergründen der Ausschreitungen in Griechenland rund um den Jahreswechsel und den Folgen des Aufstands" Round Table Discussion with Haris Triantafilidou, Vassilios Tsianos, Nikolaos Xydakis, organized by Margarita Tsomou at the Rote Fabrik in Zurich (25.3.2009)
"Testing the Public. New Public Art in Greece", 31.08.2007, International Symposium "The Public Turn in Contemporary Art" in Santralistanbul, Istanbul, curated by Pelin Tan.
"An Archeology of Installation Art. Situation and Experience in early modernism" (Αρχαιολογία της Τέχνης Εγκατάστασης. Κατάσταση και Εμπειρία στην τέχνη του Μοντερνισμού), Macedonian Museum of Contemporary Art & Interdepartmental Post-Graduate Course in Museology (17.5.2006)
